«BRIT Awards» - «Best British single» Depeche Mode «Enjoy The Silence» (10 February 1991) • BRIT Awards - annual UK music awards ceremony in the field of pop music.
«2006 MTV Europe Music Awards» - «Best Group» Depeche Mode (02 November 2006) • MTV Europe Music Awards is an annual music awards ceremony held by the European branch of MTV.
Annual IDMA Awards 2007 - «Best Dance Artist Group» Depeche Mode (20-25 March 2007) • Winter Music Conference, singular networking event in the dance music industry, attracting professionals from over 60 different countries.
«Echo Award» - «Best international group» Depeche Mode (03 March 2010) • Echo Award - the national award of the German Academy of recording, awarded to artists with the highest number of music sales for the year. Germany.
«UK Music video Awards» - «Best alternative video» Depeche Mode «Personal Jesus 2011» (09 November 2011) • UK Music video Awards is an annual awards ceremony for achievements in the field of music video production.
«The Rock and Roll Hall of Fame» - Category: PERFORMERS (Vince Clarke, Andy Fletcher, Dave Gahan, Martin Gore, Alan Wilder)(07 November 2020). The band were inducted by Charlize Theron. • The Rock and Roll Hall of Fame (RRHOF) is a museum and hall of fame located in downtown Cleveland, Ohio, on the shore of Lake Erie. The museum documents the history of rock music and the artists, producers, engineers, and other notable figures who have influenced its development.
David Gahan (born David Callcott; 9 May 1962, Epping, Epping Forest, Essex, Essex, United Kingdom) is an English singer-songwriter, best known as the baritone lead singer of the electronic band Depeche Mode since their debut in 1980. He is also an accomplished solo artist, releasing albums in 2003 (Paper Monsters) and 2007 (Hourglass). Though his bandmate Martin Gore continues to be the main Depeche Mode songwriter, Gahan has also contributed a number of songs to the band's most recent albums; Playing the Angel (2005), Sounds of the Universe (2009), Delta Machine (2013), and Spirit (2017). Three of these songs were released as singles, including "Suffer Well" in 2005, "Hole to Feed" in 2009, and "Should Be Higher" in 2013. In 2012 and 2015, he also contributed lyrics and sang lead vocals on the Soulsavers albums The Light the Dead See and Angels and Ghosts. Q magazine ranked Gahan no. 73 on the list of the "100 Greatest Singers" and no. 27 on "The 100 Greatest Frontmen".
Childhood and early years
Gahan was born as David Callcott into a working-class family, to parents Len Callcott (a bus driver) of Malaysian descent and his wife Sylvia (a conductress or "clippy" on London buses), Dave was only six months old when his father left the family. Sylvia and Len divorced two years later and his mother moved Dave and sister Sue (born 1960) to Basildon, Essex, after Sylvia met and married her second husband Jack Gahan (an administrator with Shell Oil). The Gahan family continued to grow with the birth of two more half-brothers Peter (born 1966) and Phil (born 1968). Dave and Sue were raised under the impression that their mother's second husband, Jack, was their natural father.
In 1972, when Gahan was 10 years old, his stepfather died. Gahan recalled how he "came home one day and found this bloke [his biological father] at home". Of the incident, he has said: "I'll never forget that day. When I came home from school, there was this stranger in my mum's house. My mother introduced him to me as my real dad. I remember I said, that was impossible because my father was dead. How was I supposed to know who that man was? From that day on, Len often visited the house, until one year later he disappeared again. Forever this time. Since then he had no contact with us. By growing older, I thought about him more and more. The only thing my mother would say, was that he moved out to Jersey to open a hotel." "Mum had kept it back from me 'til there was a need to tell me about my birth father, it's a different generation and you can understand I guess she thought she was doing the right thing."
While attending Barstable School on Timberlog Close in Basildon, Gahan started bunking off school, got into trouble with the police, was suspended from school and ended up in juvenile court three times for offences ranging from joyriding and graffiti to criminal damage and theft. He enjoyed the thrill of stealing cars, driving them around, and setting them alight. Gahan tells of the time: "I was pretty wild. I loved the excitement of nicking a motor, screeching off and being chased by the police. Hiding behind the wall with your heart beating gives you a real kick – 'will they get you?'". In his final year at school, he applied for a job as an apprentice fitter with North Thames Gas. He was told by his probation officer to be honest with the interviewer, and as a result, he admitted his criminal record but claimed he was a "reformed character." As a result, he did not get the job which, he claimed, led to him trashing his probation officer's office. His punishment was weekend custody at a sub-Borstal attendance centre in Romford for one year. Gahan recalls: "You had to work. I remember doing boxing, stuff like that. You had to have your hair cut. It was every weekend, so you were deprived of your weekend and it seemed like forever. I was told very clearly that my next thing was detention centre. To be honest, music saved me."
Within six months of leaving Barstable School in July 1978, Gahan found and lost something on the order of twenty jobs, from selling soft drinks, working in a greengrocers in Basildon Bus Station, working as a cashier in Sainsbury's petrol station in Savacentre, to working on a construction site. Eventually, he earned a place at Southend Technical College, which he enjoyed immensely. After two years, he gained the British Display Society Award, which allowed him to get jobs doing displays in shop windows and shopping centres.
Career in Depeche Mode (1980)
In March 1980, Martin Gore, Andy Fletcher and Vince Clarke formed the band Composition of Sound, with Clarke on vocals and guitar, Gore on keyboards and Fletcher on bass. Clarke and Fletcher soon switched to synthesizers. The same year, Gahan joined the band after Clarke heard him perform David Bowie's "Heroes." The band was soon renamed Depeche Mode, a name suggested by Gahan after he had come across a fashion magazine called Dépêche-mode.
A new wave/synthpop pioneer of the early 1980s, Depeche Mode have explored new musical directions for over 30 years, and their sound has remained diverse since their inception. They have released 14 studio albums, 4 greatest hits compilations and 2 remix albums. The band has achieved global sales in excess of 100 million.
In a 2003 interview, Gahan shared that "During the making of Exciter, sometimes I felt a bit frustrated that there was a lack of experimentation." This led him, in 2004, to tell his bandmates that he wanted to write half of the songs on their next album, and there was "no way" he could be involved in the band without contributing. Eventually there was a compromise, and three of Gahan's songs appeared on 2005's Playing the Angel: "Suffer Well" (nominated for a Grammy award), "I Want It All" and "Nothing's Impossible." "Suffer Well" was released as a single in 2006, reaching No. 12 in the UK.
Three more Gahan-penned songs, co-written with Christian Eigner and Andrew Phillpott, appeared on the band's twelfth album, Sounds of the Universe, released on 20 April 2009. The songs are "Hole to Feed", "Come Back" and "Miles Away / The Truth Is". Gahan also wrote the lyrics to the B-side "Oh Well" although the music was done by Martin Gore. It is their first writing collaboration. "Hole to Feed" was released along with Gore's "Fragile Tension" as a double A-side single in late 2009.
In 2013, with the release of Depeche Mode's thirteenth album Delta Machine, Gahan is credited with writing the songs "Broken", "Secret to the End", the single "Should Be Higher" and two B-sides, "Happens All the Time" and "All That's Mine"; the co-writer for these is Kurt Uenala. Gahan also wrote a song with Martin Gore, called "Long Time Lie".
Solo albums (2003)
In 1997, Gahan contributed to the tribute album Dream Home Heartaches: Remaking/Remodeling Roxy Music with the song "A Song For Europe". In 2003, he released his first solo album, Paper Monsters (which he co-wrote with guitarist and friend Knox Chandler), followed by the Paper Monsters Tour (including a performance at 2003's Glastonbury Festival), singing both his new solo tracks and Depeche Mode fan favourites. His touring band included Knox Chandler on guitar, Martyn LeNoble (Porno for Pyros, Jane's Addiction, The Cult) on bass, Vincent Jones (Sarah McLachlan, The Grapes of Wrath) on keyboards, and Victor Indrizzo (Beck, Macy Gray) on drums.
The album was a moderate success. The first single "Dirty Sticky Floors" hit the Top 20 in the UK Singles Chart. The album became a Top 10 hit on the European album chart and a Top 40 hit in the UK Albums Chart. This success was backed by a world tour and a live DVD titled Live Monsters which was released in 2004. A year later, he also appeared as model and spokesperson of the Swedish mid-range fashion retailer J. Lindeberg and its S/S 2006 menswear line. The ads featured both him and seemingly random quotes like "What would happen if we all told the truth", "You can tell he's lying because his lips are moving", etc. These ads appeared prominently in international fashion press. He did a collaboration in 2003 with Junkie XL and handled the vocals for a song called "Reload" for this Dutch DJ's album Radio JXL: A Broadcast from the Computer Hell Cabin.
In 2007, Gahan announced he was working on a new album via a video greeting for Depeche Mode's official website recorded at the 2007 MusiCares Charity event on 11 May. The album, titled Hourglass, was accompanied working by Andrew Phillpott and Christian Eigner. According to Gahan, they were to be producing it together. The material was recorded at Gahan's 11th Floor Studios in New York City. The material was mixed in July by Tony Hoffer, best known for his work with Beck, The Kooks and Air. According to Gahan, Hourglass is more electronic-sounding than Paper Monsters. The album made the UK Top 50, the French Top 20 and narrowly missed going to No. 1 in Germany.
The first single to be pulled from Dave Gahan's second solo record Hourglass was "Kingdom". The single came in the following versions: a download-Single, a CD single, a Maxi-CD single and 12" vinyl besides a 7" picture vinyl. According to the second press release for the second album, the release day for the single "Kingdom" was 8 October, but a download was available way before on 27 August. Side-Line Magazine also reported that a first preview for the song had been leaked online. The second studio clip on Dave Gahan Dot Com had "Kingdom" playing throughout. The single also spent a week at No. 1 on the US Dance Chart. On 17 December 2007, iTunes released the iTunes exclusive live EP Live from SoHo holding the seven tracks played during an instore set at New York's Soho Apple store on 23 October.
The second single from the Hourglass album was the double A side "Saw Something/Deeper and deeper", released on 14 January 2008. The accompanying video was artistically shot in the Chelsea Hotel, New York, notorious for the death of Sid Vicious' partner, Nancy Spungen. In July 2007, Side-Line magazine revealed that Gahan had been working with Thomas Anselmi on a project called Mirror, which was produced by Vincent Jones. Along with Jones, who played with Gahan's touring band and mixed the live DVD Live Monsters, Mirror featured another Gahan collaborator, Knox Chandler (Siouxsie and the Banshees, the Psychedelic Furs), as well as piano by Bowie favourite Mike Garson, and a monologue by Warhol superstar Joe Dallesandro. Gahan sang vocals on the track "Nostalgia". The song was released in October 2008, and the album released via download at the start of 2009. He also appeared in the accompanying video for the song.
Gahan also contributed vocals to a track called "Visitors", after walking in while producer and ex-Clor guitarist Luke Smith was working on the song in his New York studio. The song was released under the artist name of frYars.
Gahan is the lead singer and lyricist on Soulsavers' fourth studio album The Light the Dead See. The album was released on 21 May 2012.
Gahan sings and plays harmonica on "Low Guns", the first single from the 2014 album The Morning After by English band SixToes. The single was released on 18 November 2013. The SixToes remix of "Jezebel" was released on the special edition of Sounds of the Universe in 2009. Members of SixToes also collaborated with Soulsavers, on the album The Light the Dead See.
Gahan is once again the lead singer and lyricist on Soulsavers' fifth studio album Angels and Ghosts which was released in 2015.
Gahan has lived in New York City since 1997. He lives with his third wife, Jennifer Sklias, their daughter, and Jennifer's son from a previous relationship, whom Gahan officially adopted in 2010. Gahan is a convert to the Eastern Orthodox Church.
Gahan also has one biological son named Jack from his first marriage to Joanne Fox. Gahan's marriage to his second wife, Teresa Conroy, a former Depeche Mode publicist, lasted four years.
Gahan is a recovering heroin addict. He has survived four brushes with death, living up to the nickname, "The Cat", that paramedics gave him during his roughest years in Los Angeles.
In October 1993, Gahan suffered a minor drug-induced heart attack during a performance in New Orleans, leaving his bandmates to improvise an encore without him.
The second brush came when he attempted suicide by slashing his wrists in August 1995: "It was definitely a suicide attempt," said Gahan, "but it was also a cry for help. I made sure there were people who might find me".
On 28 May 1996, Gahan overdosed on a speedball at the Sunset Marquis Hotel in Los Angeles, which resulted in his heart stopping for two minutes until he was revived by paramedics. He said of the experience, "All I saw and all I felt at first was complete darkness. I've never been in a space that was blacker, and I remember feeling that whatever it was I was doing, it was really wrong."
On 12 May 2009, shortly before the band were due onstage in Athens, Greece, for a concert on Depeche Mode's Tour of the Universe, Gahan fell ill in his dressing room. He was rushed to hospital where it was initially suspected he was suffering from a bout of gastroenteritis. An ultrasound revealed a malignant tumor in his bladder, which was removed with surgery. This resulted in several postponed shows, and Gahan underwent cancer treatments during the remaining three months of the tour.
Gahan later suffered a torn calf muscle while performing in Bilbao, Spain, on 9 July 2009, resulting in two further cancellations. After two-week's break, he and Depeche Mode returned to the tour for their North American leg. While performing in Seattle on 10 August 2009, Gahan again suffered injury, this time straining his vocal cords. Doctors ordered Gahan on complete vocal rest, resulting in two more cancelled shows.
Martin Lee Gore (born 23 July 1961, London, Greater London, England, United Kingdom) is an English singer-songwriter, guitarist, keyboardist, producer, remixer, and DJ. He is a founding member of Depeche Mode and has written the majority of their songs. His work now spans over four decades. Gore's best-known compositions include hits such as "Personal Jesus", "Enjoy the Silence", "Stripped", "It's No Good", "In Your Room", "Strangelove", "I Feel You", "People Are People", "Precious", "A Question of Time", "Policy of Truth", "Everything Counts", "Behind the Wheel", "Shake the Disease", "Never Let Me Down Again" and many more.
In addition to composing music and writing lyrics for the majority of Depeche Mode's songs, Gore has also been the lead singer on some of them (examples include "Somebody", "A Question of Lust" and "Home"). He has been a backing singer on many others.
In 1999, Gore received the Ivor Novello Award from the British Academy of Songwriters, Composers and Authors for "International Achievement".
Martin Lee Gore was born in Dagenham, Essex in England. Gore's biological father was an African-American G.I. stationed in Britain. Gore was raised by his stepfather and biological mother. He believed his stepfather was his biological father until age 13. When he was 13, he learned that his biological father was an African-American serviceman and, as an adult, later met him in the American South. Gore responds to the source's information and is quoted in Miller's book saying, "It brings up family traumas" and "It's one of those things I'd rather not talk about".
He left Nicholas Comprehensive, Basildon in 1977 and took a job as a bank cashier. During evenings, weekends and any other spare time, he was involved with the local band Norman and the Worms with school friend Phil Burdett who later went on to become a singer/songwriter himself.
Gore has two younger half-sisters, Karen, born in 1967, and Jacqueline, born in 1968.
In 1980, Gore met Andy "Fletch" Fletcher at the Van Gogh club. Fletcher recruited Gore into his band Composition of Sound along with Vince Clarke. Soon the band drafted Dave Gahan to be the lead singer after hearing him sing "Heroes" by David Bowie. Gahan is credited with the name "Depeche Mode" after seeing the phrase as a title of a French fashion magazine, which later considered taking them to court, but thought it would be good publicity for the magazine to let the band have the name.
Clarke left Depeche Mode in late 1981, shortly after the release of their debut album Speak and Spell. Clarke wrote most of the album, with Gore contributing two tracks, "Tora! Tora! Tora!" and the instrumental "Big Muff". "Any Second Now (voices)" features Gore's first lead vocals for the band. Gore sings lead vocals on several of the band's songs, notably ballads, his tenor voice providing a contrast to Gahan's dramatic baritone. When Clarke announced his departure from Depeche Mode in 1981, citing the pressures of fame and creative differences, Gore took over songwriting. Gore had been writing material since the age of 12.
Songs Gore wrote for Depeche Mode's second album, A Broken Frame (1982) differed musically and lyrically from Clarke's. Gore's writing became gradually darker and more political on subsequent Depeche Mode albums.
Gore sometimes plays guitars, typically his Gretsch White Falcon or Gretsch Double Anniversary on Depeche Mode songs. The first time guitar was used as the main instrument was on "Personal Jesus", although he used small guitar parts on previous songs, such as "Behind the Wheel" and "Love, in Itself". Gore's guitar playing developed even more on Songs of Faith and Devotion. However, in live performances, he switches his keyboards for his guitar on some older Depeche Mode songs, such as "Never Let Me Down Again" and "A Question of Time". In mid 1990 Gore stated – NME – July 1990
On 27 May 1999, Gore was presented with an award by Daniel Miller for "International Achievement", by the British Academy of Songwriters, Composers and Authors, at the 44th Ivor Novello Awards, at The Grosvenor House Hotel.
Gore remains the main songwriter for Depeche Mode.
Gore lives in Santa Barbara, California. He started dating lingerie designer and model Suzanne Boisvert after meeting in Paris in 1989. They married in August 1994. He has three children with Boisvert: daughter Viva Lee Gore (born 1991), son Emil Jackson (born 1990), and son Calo Leon Gore (born 2002). Gore and Boisvert divorced in 2006.
Gore married Kerrilee Kaski in June 2014. In October 2015 Kerrilee Gore updated her Facebook profile photo showing her to be pregnant. On 19 February 2016, Kerrilee gave birth to a baby girl named Johnnie Lee, his fourth child. On 13th March 2017, Martin Gore became a father for the fifth time to a baby girl named Mazzy Lee.
Gore became a vegetarian for health and moral reasons in 1983.
Former Depeche Mode colleague Vince Clarke collaborated with Gore for the first time since 1981 as techno duo VCMG on an instrumental minimalist electronic dance album called Ssss, released on 12 March 2012. The first EP entitled Spock was first released worldwide exclusively on Beatport on 30 November 2011. The second EP Single Blip was once again first released exclusively on Beatport on 20 February 2012. Their third EP Aftermaths was released on 20 August 2012.
In late February 2015, several teaser images were displayed on Martin Gore's official Facebook page, citing a hashtag "MGxMG" which was later revealed to be a promotional tool for his new solo studio album, titled MG (named after his previous collaborative album, VCMG, with Vince Clarke from 2012). In a news post on his official website and various social media on 2 March, this confirmation of his new studio album announced its release would be on 27 or 28 April and previewed a track, Europa Hymn, from the new album.
MG 'The Third Chimpanzee E.P.' 2021
Martin Gore: "The first track that I recorded for this was “Howler,” and I did that before COVID hit. I recorded some vocals on it and manipulated them and resynthesized them and they came back sounding not like me and not very human at all. I thought they sounded more like monkeys. I go down to Costa Rica quite a bit, and there are a lot of Howler monkeys down there. You can hear them for miles, and this reminded me of that, so I called the first track “Howler.” And then as America went into lockdown, I decided maybe I should do a few more instrumental tracks. I came up with this theme of resynthesized vocals on each track and renaming each track after a different monkey. I thought it would be quite fun. I just wanted to blur the lines, really, between humans and monkeys -- which seemed quite fitting for the times. Sometimes we think that we’re so much more evolved than monkeys and, y’know, I really don’t think that we are. We’re a danger to the planet. Just put the monkeys in control and I think the planet would stand a much better chance. Without saying that explicitly, that’s what was going on in my head."
Gore played keyboard on two tracks by Annette and Inga Humpe (Humpe and Humpe), called "Happiness Is Hard to Take" and "Don't Know Where I Belong" from their 1985 album Humpe Humpe.
He played guitar on the Gwen Stefani song "Wonderful Life" on her 2006 album The Sweet Escape.
Gore collaborated on the band Onetwo's track "Cloud Nine" by playing the guitar and as songwriter of the song, which can be found on their 2007 album called Instead.
In 2010, Tim Simenon's Bomb the Bass album Back to Light was published, which contains the instrumental "Milakia", co-written by Martin Gore during the Ultra sessions. Gore also played synthesiser on the track.
Compact Space's album Nameless (2011) includes the track "The Unstoppable Collision" with Gore on guitar. Compact Space is formed by Depeche Mode's collaborators Christian Eigner, Daryl Bamonte and singer Florian Kraemmer.
Also in 2011, Gore created the sound "Siren-synth – Mutesound" on the track "Uni Rec" on the album Univrs by German glitch and minimalist techno artist Alva Noto.
1994 Spirit Feel – "Rejoice" (Mystic Span Mix)
1995 Garbage – "Queer" (The Most Beautiful Woman in Town Mix)
1999 ON – "Soluble Words" (Sublingual Remix)
2003 Señor Coconut And His Orchestra – "Smooth Operator" (In-Disguise Remix)
2013 Diamond Version - "Get Yours" (Martin L. Gore Remix)
Andrew John Leonard Fletcher, 08 July 1961 - R.I.P. 26 May 2022
ANDY FLETCHER BIOGRAPHY
For other people named Andrew or Andy Fletcher, see Andrew Fletcher (disambiguation) Andrew John Leonard Fletcher (born 8 July 1961, Nottingham, United Kingdom), popularly known as "Fletch", is an English keyboard player and founding member of the electronic band Depeche Mode.
In the late 1970s, Fletcher and schoolmate Vince Clarke formed the short-lived band No Romance in China, in which Fletcher played bass guitar. In 1980, Fletcher met Martin Gore at the Van Gogh Pub on Paycocke Road in Basildon. With Clarke, the trio, now all on synthesizer, formed another group called Composition of Sound. Clarke served as chief songwriter and also provided lead vocals until singer Dave Gahan was recruited into the band later that year, after which they adopted the name Depeche Mode at Gahan's suggestion. Clarke left the group in late 1981, shortly after the release of their debut album Speak and Spell.
Their 1982 follow-up, A Broken Frame, was recorded as a trio, with Gore taking over primary songwriting duties. Musician and producer Alan Wilder joined the band in late 1982 and the group continued as a quartet until Wilder's departure in 1995. Since then, the core trio of Gahan, Gore and Fletcher have remained active, most recently with the announcement of their upcoming 2017 album Spirit and ensuing world tour.
Fletcher's role within Depeche Mode has often been a topic of speculation. In early incarnations of the band, he played (electric and later synth) bass. As the band evolved after Vince Clarke's departure in 1981, Fletcher's role changed as each of the band members took to the areas that suited them and benefitted the band collectively. In a key scene in D.A. Pennebaker's 1989 documentary film about the band, Fletcher clarifies these roles: "Martin's the songwriter, Alan's the good musician, Dave's the vocalist, and I bum around." Rolling Stone writer Gavin Edwards later (after Wilder's departure) riffed upon this statement with the line: "Depeche Mode's unique division of labor has been long established, with each of the three remaining members having a distinct role: Martin Gore writes the songs, Dave Gahan sings them and Andy Fletcher shows up for photo shoots and cashes the checks." He is the only member of the band (past and present) who has not received a songwriting credit.
Fletcher, however, always has and continues to play a critical role within the band.
With the band having not always employed a full-time manager, Fletcher has handled many of the band's business, legal, and other non-musical interests over the years. In the EPK for Songs of Faith and Devotion, he discussed being genuinely interested in many of the business aspects of the music industry that other performing musicians shy away from, and as such, he took over a lot of the business management aspects of the band. In recent years, this has included acting as the band's "spokesperson", with Fletcher often being the one to announce Depeche Mode news (such as record album and tour details).
He is also said to be the member who is "the tiebreaker" and the one that "brings the band together". According to interviews, Fletcher built the compromise between Gahan and Gore that settled their serious dispute following 2001's Exciter album and tour over future songwriting duties within Depeche Mode.
In the studio and during live shows, Fletcher does contribute a variety of supporting synthesizer parts, including bass parts, pads, strings and drone sounds, and various samples.
However, he is notably the only member of Depeche Mode who does not sing. Although he can be seen singing in videos of Depeche's past live performances, usually Fletcher's vocals were either mixed very low or heard only through his own stage monitors. On the band's 2013/14 Delta Machine Tour, vocal mics were no longer present on his keyboard station.
On studio recordings, however, Fletcher's supporting vocals can be heard in some form or another on the majority of all Depeche Mode albums released since 1981.
Toast Hawaii ("Solo Project")
According to anecdotes from various members of Depeche Mode (later quoted in a band biography), an Andy Fletcher "solo album" entitled Toast Hawaii (named after Fletcher's favourite dish in Hansa Studio's cafeteria) was recorded in Berlin during the Some Great Reward sessions in 1984. According to these anecdotes, all the songs on the "album" are cover songs on which Fletcher sings lead vocals. The "album" allegedly features Alan Wilder and/or Martin Gore on piano, with an album cover photo by Wilder. The story then goes that Gore and Wilder presented the album to Mute Records' Daniel Miller and pleaded for him to release it. In reality, this "solo album" is almost certainly an in-joke, although it is not entirely unlikely that during studio "downtime" from serious work, a diversion could have been making humorous recordings.
Toast Hawaii (Record Label)
In 2002, Fletcher launched his own record label, a Mute Records imprint called Toast Hawaii (again named for the dish) and signed the band CLIEИT. He coordinated the recording of their eponymous 2003 debut and 2004's City and also produced "extended remixes" for their subsequent singles "Price of Love," "Rock and Roll Machine," "Here and Now," "In It for the Money," "Radio" and "Pornography" (featuring Carl Barât of The Libertines).
CLIEИT left the label in 2006 and no further activity with the Toast Hawaii label has occurred or been announced to date.
Initially to support CLIEИT's live shows, Fletcher began touring as a DJ. Currently, when he is on hiatus from Depeche Mode, Fletcher plays occasional festivals and club gigs in Europe, Asia, South America and "places where Depeche Mode haven't visited or been able to visit" and is known to include various exclusive Depeche remixes in his sets. A notable DJ set of Fletcher's from 2011 in Warsaw has been widely bootlegged.
In late 2015, Fletcher embarked on a small tour of European clubs.
Fletcher is the eldest of four siblings born to Joy and (the late) John Fletcher. The family moved to Basildon from Nottingham when Fletcher was two years old. He was active in the local Boys' Brigade from an early age, primarily to play football. It was in this Christian youth organisation that he met future Depeche Mode member Vince Clarke, and the two have both recollected in interviews the local missionary work they attempted on behalf of the organisation to convert non-believers.
Fletcher married his longtime girlfriend Gráinne Mullan on 16 January 1991 and the couple have two children, Meghan and Joe.
While Depeche Mode were touring with the band Blancmange in the early 1980s, Fletcher was renowned for his skill at chess. Neil Arthur of Blancmange has mentioned in interviews "never winning a game of chess with Andy Fletcher!"
During the 1990s, Fletcher owned a restaurant called Gascogne located on Blenheim Terrace in St. John's Wood, London.
Fletcher made a series of bad investments in the mid-1990s that led to a number of financial settlements involving Lloyd's of London and Daniel Miller.
Alan Charles Wilder, 01 June 1959, Depeche Mode October 1982 - 01 June 1995 | one-off show in 17 February 2010)
ALAN WILDER BIOGRAPHY
Alan Charles Wilder (born 1 June 1959, London Borough of Hammersmith and Fulham, Greater London, London, United Kingdom) is an English musician, composer, arranger and record producer, known as a former member of the electronic band Depeche Mode from 1982 to 1995. Since his departure from the band, the musical project called Recoil became his primary musical enterprise, which initially started as a side project to Depeche Mode in 1986. Wilder has also provided production and remixing services to the bands Nitzer Ebb and Curve. He is a classically trained musician and renowned contemporary music producer.
Alan Charles Wilder was born into a middle class family and was raised in Acton, west London. He began piano at the age of eight, through the encouragement of his parents. Later on, he learned the flute at St Clement Danes Grammar school and became a leading musician in his school bands. After school, Alan worked as a studio assistant at DJM Studios. This led to him ending up working for bands such as The Dragons, Dafne and the Tenderspots (as Alan Normal), Real to Real (featuring Adrian Chilvers on Bass, Pete Fresh on guitar, Wolfgang Marlander on Drums and Paul St. James Vocals), The Hitmen, and The Korgis, appearing on the UK No. 13 single "If I Had You" (1979).
1982–1995: The Depeche Mode years
Following the departure of Vince Clarke, Depeche Mode placed an advertisement in the music magazine Melody Maker: "Keyboard player needed for established band – no timewasters." Even though the ad was looking for someone under 21 (Wilder was 22) he lied about his age to get the job, and got away with it. He joined Depeche Mode in January 1982, initially as a tour keyboardist, and soon thereafter as a full member of the recording band.
Wilder wrote a handful of songs for Depeche Mode, including "Two Minute Warning" and "The Landscape Is Changing" (and a B-Side, "Fools") from the album Construction Time Again, and "If You Want" (and a B-Side, "In Your Memory") from the album Some Great Reward. However, Wilder's more notable contributions to Depeche Mode were as a musician, arranger, and producer.
In addition to playing synthesizer throughout his time with Depeche Mode, Wilder also played piano on the band's signature ballad "Somebody," and oboe on the band's hit anthem, "Everything Counts." In the documentary film 101, Wilder demonstrates how different synthesizer parts of a song are split and arranged across a sampling keyboard for playing them live during the concert, just one small example of Wilder's ongoing contributions to Depeche Mode during his time as a member of the group. For the recording of the album Songs of Faith and Devotion and its corresponding Devotional Tour Wilder also played live drums.
For "Enjoy the Silence" from the album Violator, Wilder is credited with taking Martin Gore's melancholy ballad-esque demo and re-envisioning the song as a percolating, melodic dance track. The resulting single went on to become one of the most commercially successful songs in Depeche Mode's history.
On 26 June 1995, Wilder announced his departure from Depeche Mode:
"Due to increasing dissatisfaction with the internal relations and working practices of the group, it is with some sadness that I have decided to part company from Depeche Mode. My decision to leave the group was not an easy one particularly as our last few albums were an indication of the full potential that Depeche Mode was realizing.
Since joining in 1982, I have continually striven to give total energy, enthusiasm and commitment to the furthering of the group's success and in spite of a consistent imbalance in the distribution of the workload, willingly offered this. Unfortunately, within the group, this level of input never received the respect and acknowledgement that it warrants.
Whilst I believe that the calibre of our musical output has improved, the quality of our association has deteriorated to the point where I no longer feel that the end justifies the means. I have no wish to cast aspersions on any individual; suffice to say that relations have become seriously strained, increasingly frustrating and, ultimately, in certain situations, intolerable.
Given these circumstances, I have no option but to leave the group. It seems preferable therefore, to leave on a relative high, and as I still retain a great enthusiasm and passion for music, I am excited by the prospect of pursuing new projects. The remaining band members have my support and best wishes for anything they may pursue in the future, be it collectively or individually."
After his split from Depeche Mode, Wilder was approached by Robert Smith with an offer to join The Cure. Wilder respectfully declined. According to Wilder himself, the possibility was offered on behalf of The Cure by Daryl Bamonte (tour manager for both Depeche Mode and The Cure, and brother of The Cure member Perry Bamonte), and he declined as joining another band was the last thing on his mind.
He briefly reunited with Depeche Mode during the Teenage Cancer Trust concert at the Royal Albert Hall in London on 17 February 2010, and enjoyed a rapturous reception. During the encore, Wilder accompanied Martin Gore on piano for "Somebody". Gore returned the favour and played a DJ set on one of Recoil's Selected Events.
In 2011, Wilder provided two mixes for the Depeche Mode track "In Chains".
1986–present: The Recoil years
Recoil began in 1986 as a two-track experimental EP. Simply entitled 1 + 2, this collection of primitive demos caught the attention of Mute Records label boss Daniel Miller and was inconspicuously released as a mini-album on 12" vinyl. An album, Hydrology, soon followed in 1988 and both were eventually re-issued by Mute on CD as Hydrology plus 1 + 2. Wilder described the project at the time as "an antidote to Depeche Mode; a way to alleviate the frustrations of always working within a pop format".
Almost immediately, Wilder found himself back in the studio to record what would become the most successful Depeche Mode album to date, Violator. It wasn't until the band finally allowed themselves an extended break after the World Violation Tour that Alan could return to Recoil—not, however, before agreeing to produce Ebbhead, another album for label-mates Nitzer Ebb.
It was during this time that he cemented a working relationship with lead singer Douglas McCarthy who would return the favour by singing on Recoil's next album, Bloodline. For the Bloodline LP, released in 1991, Wilder recruited guest vocalists for the first time, with further contributions from Toni Halliday and Moby. 'Bloodline' also marked the first Recoil single, a cover of Alex Harvey's song 'Faith Healer' as well as 'Electro Blues For Bukka White', featuring the posthumously sampled voice of Blues-man White set into a post-modern context.
Between 1992–93 Wilder resumed his Depeche Mode duties as the band recorded the album Songs of Faith and Devotion. Depeche Mode embarked on their most adventurous tour to date, enduring a grueling fifteen months on the road. Although the group had reached the pinnacle of success, aspects of the lifestyle had taken their toll on everyone and things eventually came to a head. In June 1995, having spent fourteen years as an integral part of one of the most popular and influential bands the UK has ever produced, Alan Wilder made the decision to leave Depeche Mode.
Free from his group commitments, Wilder could now focus solely on Recoil. In September 1996, he began work in his own studio, The Thin Line, gradually piecing together what would become Recoil's next album Unsound Methods. Guest vocalists this time played a more up-front role than ever and featured Maggie Estep, Siobhan Lynch, the reappearance of Douglas McCarthy, and Hildia Campbell.
In the spring of 2000, Recoil released Liquid which this time featured fellow Mute artist Diamanda Galás, 1940s gospel crooners the Golden Gate Jubilee Quartet, along with New York spoken-word performers Nicole Blackman and Samantha Coerbell.
Following a five-year break from recording, Alan Wilder returned in 2007 with Recoil's fifth studio album, entitled SubHuman.
2010 saw the release of 'Selected', a selection of Recoil tracks chosen by Alan who explains: "The collection is made up of my personal favourites, remastered and edited together into what I consider a cohesive and total listening experience.”
A tour entitled ‘A Strange Hour’ was presented during 2010 and 2011 in 52 cities across the world, as part of the ‘Selected Events’, which celebrated 25 years of the Recoil project. It signified the first time Recoil had ever taken to the road. The events were not so much ‘live’ band but more art or video installation. Wilder gathered together filmmakers from as far as Russia, via the Czech Republic and Hungary, all the way to Argentina for this purpose, working very fast, and in the modern way, by creating a central server where everybody could upload their work for others to see, react to and feedback on. Says Wilder: “This for me typifies the whole essence of what Recoil is all about – a collective but with a focused direction – and a very thrilling process it was too, watching and hearing ’A Strange Hour’ come together from our base in the UK.”
Recoil returned in 2012 to release the concert film 'A Strange Hour In Budapest' on Blu-ray, with 5.1 surround sound, directed by Attila Herkó.
Also in 2012, we saw Alan Wilder turn up again as Executive Producer and contributor for a new tribute album to Mark Hollis and Talk Talk. Recoil offered two cover versions for the album featuring the vocals of Linton Kwesi Johnson, Shara Worden and Paul Marshall. Wilder also mixed a track for Richard Reed Parry from Arcade Fire. ‘Spirit of Talk Talk’ was released in September 2012 on Fierce Panda Records.
Wilder resides near Horsham, West Sussex, England. He has two children with his ex-wife Hepzibah Sessa named Stanley Duke Wilder and Paris Wilder. He also has one other child named Clara Lake from a present relationship with Britt Rinde Hval, a Norwegian journalist.
The Dragons – "Misbehavin'" (1977)
Dafne and The Tenderspots – "Disco Hell" (1979)
The Korgis – "If I Had You" (1979) UK No. 13 (The track also appears on The Korgis, as well as all of the band's compilation albums.)
Real to Real – "White Man Reggae" (March 1980)
Real to Real – "The Blue" (1980)
Real to Real – Tightrope Walkers (November 1980)
Real to Real – "Mr. and Mrs." (March 1981)
The Flatbackers – "Serenade of Love" (1981)
The Hitmen – "Ouija" (1981)
With Depeche Mode
Wilder appeared on all of Depeche Mode's releases from "Get the Balance Right" (31 January 1983) up to "In Your Room" (10 January 1994), later taking part in reissues and compilations containing material from his time in the band.
Alan organized with Omega an auction selling a lot of DM collectable items on 3 September 2011 in Manchester. A DVD called "Collected +" was released as promotion for these events.
Covers and collaborations
1991 – Mixed the Nitzer Ebb song "Come Alive" from their As Is EP.
1991 – Along with Flood, produced the Nitzer Ebb full album Ebbhead.
2001 – Provided strings and ambient sounds for the song "Polaroid" from the Curve album "Gift".
2003 – Provided strings and sounds for "The Digital Intervention" track called "Coma Idyllique" from their album "Capture". PK, a longtime Recoil collaborator is one of its members along with Olivia Louvel.
2012 – Covered 2 tracks: "Inheritance" – Recoil (ft. Linton Kwesi Johnson and Paul Marshall) and "Dum Dum Girl" – Recoil (ft. Shara Worden) for a Talk Talk tribute album (double) cd/book set called "Spirit of Talk Talk". He also became executive music producer for the album.
1989 Toni Halliday – "Time Turns Around" (Euro-Tech Version)
1991 Nitzer Ebb – "I Give to You" (Wilder Mix Full Version)
2010 Nitzer Ebb – "I Am Undone" (Alan Wilder Remix)
2011 Depeche Mode – "In Chains" (Alan Wilder Remix)
Vincent John Martin, 03 July 1960, Depeche Mode 1980 - 03 December 1981
VINCE CLARKE BIOGRAPHY
Vince Clarke (born Vincent John Martin; 3 July 1960, Basildon, Basildon, Essex, Essex, United Kingdom) is an English synthpop musician and songwriter. Clarke has been the main composer and musician of the band Erasure since 1985, and was previously the main songwriter of several groups, including Depeche Mode, Yazoo, and The Assembly.
Vincent John Martin was born in South Woodford, Essex and then he moved to Basildon, Essex. He initially studied the violin and then the piano, but he was inspired to make electronic music upon hearing Wirral synth band Orchestral Manoeuvres in the Dark (OMD). Along with OMD, other early influences included The Human League, Daniel Miller, and Fad Gadget.
Early bands and Depeche Mode
In the late-1970s, Clarke and schoolmate Andy Fletcher formed a short-lived band called No Romance in China. In 1980, he teamed up with Robert Marlow and Martin Gore to form French Look. Another band, named Composition of Sound, followed in 1980 with another addition of Martin Gore and Andy Fletcher. Clarke provided vocals until singer Dave Gahan joined the band, which was renamed Depeche Mode. At that time, he adopted the stage-name Vince Clarke, by which he is currently known. The band initially adopted a slick synthesized electropop sound, which produced the album Speak and Spell and the Clarke-penned singles "Dreaming of Me", "New Life", and "Just Can't Get Enough" in 1981.
Clarke left Depeche Mode shortly thereafter. There were many rumoured reasons pertaining to his departure. He commented on Depeche Mode's later material as being a little dark for his taste, but good nonetheless. Clarke also stated that he did not enjoy the public aspects of success, such as touring and interviews, and found himself frequently at odds with his bandmates, particularly on the tour bus. He also stated: "I think everybody in the band, especially myself, imagined that the reason we were doing so well was because of themselves ... We were pretty young and very lucky, and things had happened very quickly for us, and I don't think we were really mature to handle the situation." Clarke was replaced by musician Alan Wilder, and Depeche Mode went on to achieve international stardom.
Clarke then teamed up with singer Alison Moyet (at the time known by the nickname of Alf) to form the popular synthpop band Yazoo (known as Yaz in the U.S.), which produced two albums and a string of hits including "Only You", "Don't Go", "Situation", "The Other Side of Love", "Nobody's Diary", and "Walk Away from Love".
Yazoo disbanded in 1983, and Moyet went on to have a successful solo career. Yazoo reformed in 2008 for a series of live dates to celebrate 25 years since the duo's split.
In 1983, Clarke teamed up with Eric Radcliffe, and it was their idea to collaborate as one-off associations with different artists on each new single, under the name The Assembly; notably with singer Feargal Sharkey they scored the Top 5 hit "Never Never". Meanwhile, he founded the label Reset Records with Eric Radcliffe. During 1983 and further on in 1984, he produced four singles "The Face of Dorian Gray", "I Just Want to Dance", "Claudette", and "Calling All Destroyers" for his friend Robert Marlow, which were released on this label. They also produced an album, which was shelved but was released much later in 1999 under the name The Peter Pan Effect. In 1985, another collaboration took place with Paul Quinn of Bourgie Bourgie, the result was the single "One Day" by Vince Clarke and Paul Quinn. However, the project never took off, and Clarke moved on to other projects.
In early 1985, Clarke put an ad in Melody Maker for a singer, and one applicant was Andy Bell, who was a fan of his earlier projects. He teamed with Bell to form the group Erasure, and the duo became one of the major selling acts in British music with international hits like "Oh L'amour", "Sometimes", "Chains of Love", "A Little Respect", "Drama!", "Blue Savannah", "Chorus", "Love to Hate You", "Take a Chance on Me", and "Always".
The band has released 16 albums to date and has enjoyed a long string of hit singles spanning their three decades together, most recently topped-off by the 2005 top five hit "Breathe" taken from their Nightbird album. In 2006, Erasure produced a country-western style acoustic album consisting of mostly non-single cuts from their previous albums. This album, Union Street was preceded by the single "Boy" originally included on their 1997 Cowboy album.
On 26 January 2007, in a video message on the official Erasure website, the band announced the release of their sixteenth (thirteenth studio) album, entitled Light at the End of the World. Released in the UK on 21 May 2007, with a US release the following day, it was preceded by the single "I Could Fall in Love with You", released on 2 April 2007. The second single, "Sunday Girl" was subsequently released.
The album was produced by Gareth Jones and was a more "dance oriented" effort than some of their more recent work with Clarke making reference to the new material sounding potentially a bit more like Andy Bell's 2005 solo effort Electric Blue.
Erasure went on to tour with Cyndi Lauper, Deborah Harry, Margaret Cho, and other artists, for the 2007 True Colors Tour of the United States, a tour which benefited gay, lesbian, bisexual, and transgender freedoms and rights. Erasure then went out on their own, headlining the "Light at the End of the World" tour in Europe and North America.
The band released a new EP, Storm Chaser, in September 2007. The EP contains nine tracks, one of them the winner of an online fan remix contest, for the track "When a Lover Leaves You", from the Light at the End of the World album.
The Erasure album, Tomorrow's World, was released on 3 October 2011, featuring production by Frankmusik. The album was done in two locations, Vince in his Cabin Studio in Maine composing the music and vocal arrangement, and production done by Andy in Los Angeles. The album featured three singles- When I Start To Break It All Down, Be With You, and Fill Us With Fire. A very limited edition of Tomorrow's World box sets were issued through the EIS and gathered a bunch of remixes, demos, and videos of this project.
The Erasure Christmas album Snow Globe was released on 11 November 2013. A new collection of material was released on 22 September 2014 named The Violet Flame, featuring production by Richard X.
In July 1984, Clarke teamed up with Stephen Luscombe of Blancmange, Pandit Dinesh, and Asha Bhosle. The group, West India Company, released a four track, self-titled EP.
Clarke worked with synthpop producer Martyn Ware (of Heaven 17 and The Human League) in 1999 as "The Clarke and Ware Experiment" and released the album Pretentious. The duo collaborated again in 2001 for the album Spectrum Pursuit Vehicle, which was created with "3D music technology" specifically designed for listening in headphones. 2001 also saw the release of the Clarke-produced album Erasure's Vince Clarke which featured The Peter Pan Effect, an album that he and Eric Radcliffe produced for his long-time friend, Robert Marlow. Clarke wrote "Let's Get Together" for the pop girl group Girl Authority for their second album, Road Trip. The song was originally meant to be for Depeche Mode, but was never recorded by them. Clarke also co-wrote "What Do I Want From You?" with Freeform Five, for their album Strangest Things (2005).
Also in 2001, Clarke founded Illustrious Co. Ltd. with Martyn Ware, to create new forms of spatialised sound composition using their unique 3D AudioScape system, collaborating with fine artists, educational establishments, the performing arts, live events, corporate clients, and educational settings round the world.
In 2004, Clarke provided additional music for an episode of Johnny Bravo entitled "The Time of My Life". This was a collaboration with Richard Butler.
Clarke was an essential component of a 2000 project called Family Fantastic. They produced the album Nice!. In 2008 Family Fantastic released a second album, entitled Wonderful.
On 21 May 2009, Clarke was awarded by an "Outstanding Song Collection" prize, during the Ivor Novello Awards ceremony of the same day, in recognition of 30 years in the music industry.
Clarke was featured in the BBC Four documentary Synth Britannia.
Clarke collaborated with his former Depeche Mode colleague Martin Gore for the first time since 1981 as techno duo VCMG on an instrumental minimalist electronic dance album called Ssss, released on 12 March 2012. The first EP entitled Spock was released worldwide exclusively on Beatport on 30 November 2011. The second EP Single Blip was once again first released exclusively on Beatport on 20 February 2012. Their third EP Aftermaths was released on 20 August 2012.
In 2012, Vince collaborated with the band The Good Natured on a track called "Ghost Train", available as a free download on their website, in exchange for a Tweet.
Also in 2012, Vince produced a cover of the Depeche Mode song "Fly on the Windscreen" featuring Ane Brun.
In 2013, Vince worked with Andy Bell on a new Erasure Christmas LP which was released in November 2013. There is also a rumor that a collection of original materials will also be ready by mid year 2014. Vince Clarke is currently doing DJ sets in various locations in North America and Europe and has also continued his production work of remixing songs for Dido and Chad Valley. Clarke is holding a competition online for synth guring, which is composed of making synth-like noises with your mouth, registration ends at the end of August 2013, judging shortly there after.
In October 2013, Vince announced on his Twitter page that he is collaborating with musicians BT and Christian Burns on their "All Hail the Silence" project.
On 14 July 2015 Vince announced a collaboration with Jean Michel Jarre called Automatic, which was released as a part of the full album Electronica 1: The Time Machine on 16 October 2015.
In December 2013, Clarke listed his "13 LPs that mean the most to him" for The Quietus:
Pink Floyd – The Dark Side of the Moon
Kraftwerk – Computer World
The Human League – Travelogue
Simon and Garfunkel – Bookends
T. Rex – Electric Warrior
David Bowie – "Heroes"
The Eagles – Hotel California
Orchestral Manoeuvres in the Dark – Orchestral Manoeuvres in the Dark
Philip Glass – Glassworks
Genesis – A Trick of the Tail
Michael Jackson – Dangerous
The Sex Pistols – Never Mind the Bollocks, Here's the Sex Pistols
Led Zeppelin – Led Zeppelin IV
Production and recording methods
When Clarke started using synthesisers, they were predominantly analogue (digital synthesisers were rare, and would remain that way until the launch of the Yamaha DX7 in 1983). In order to connect analogue synthesisers, analogue drum machines, and analogue sequencers together, multiple CV/Gate cables were required between each device. This system was not standardised, so interoperability between instruments from different manufacturers was not always straightforward. In addition, some manufacturers used their own proprietary interfaces. When an industry-wide standard called MIDI (Musical Instrument Digital Interface) was introduced in 1983, Clarke, like most other electronic musicians, gradually migrated to the new technology. However, he continued to prefer his older analogue instruments:
"... CV and Gate is tighter. I can hear and feel that it's tighter than MIDI – we can even prove it using 'scopes. Because everything is clocked simply, it arrives bang on the beat. The whole production starts to 'tick over'. Just look at Kraftwerk's stuff. I think that 'feel' has been lost with MIDI sequencers. No matter what you do with MIDI, the music will never sound as good as it did in the good old Futurist days. That's why our tracks sound the way they do."
For the Chorus album in 1991, he gathered together his collection of analogue synthesisers from various recording studio locations in London and set up a small studio in Amsterdam. This led Clarke to assemble an intricate patch system to more easily enable the control of his analogue instruments:
"... the secret is having a good patch system – not as in patching to the mixing desk, but in patching CV and Gate. Because we don't use MIDI at all, you have to run three or four cables between each synth module – CV, Gate, Filter, Amplitude or whatever – and you've got to have a really unique system to do that."
In 1993 Clarke described his approach to songwriting:
"Andy [Bell] and I get together with a guitar and a tape recorder, I'll strum some chords, he'll sing a melody, and we work in little sections, four or eight bars long. Then we'll try stringing the sections together. It's like a jigsaw puzzle. I find it very hard to relate songwriting to synthesisers, actually – we write songs in a very traditional way. The electronic side of things is just to create the atmosphere. It's mostly just messing about..!
"Once we've worked out a song, I start programming up the arrangement on the BBC UMI sequencer, which lets me run 16 synths simultaneously. That way you get a better idea if parts are working together or not. Then we start refining the individual sounds. And finally the whole lot is transferred to my Roland MC4, piece by piece, so it's being run in CV and Gate. Once we've got that, it's a case of Andy sketching out vocal ideas – in the studio we use two 48 track digital tape machines, which gives Dinger 24 tracks just for his voice!"
Clarke continued to expand his collection of analogue synthesisers and in 1994 set up "37B", a recording studio built adjacent to his custom-made home, "Ammonite", in Chertsey, Surrey. From 1994 to 2003, all Erasure albums were either wholly or in part recorded at "37B".
In 2004 Clarke moved to Maine, USA. While waiting for his studio equipment to be shipped from the UK, he began using an Apple Mac laptop with Logic Pro, Max/MSP, and various software synthesisers (many of which were analogue emulations). Since then, he has continued to use Logic Pro, along with both software and analogue synthesisers:
"Nowadays, you can take the best bits from digital and analogue. On certain projects – say, if I'm doing library music – where you need to have instant recall all the time, then it's obviously much more convenient to use the computer. When it comes to writing a new song, though, I still like to have the old analogue gear there, too. But, a lot of soft synths have a character of their own, too; the Moog Modular V is just crazy!
"I think that analogue has an inherent sound to it – it's like the old argument over vinyl versus CD. It seems that you hear more frequencies coming from an analogue synth than you do from a software synth, but the great thing about the latter is that you can do far more complex modulation, both within the synth itself and on the keyboard. To emulate any of those really complex modulations on an analogue ... well, you'd need a mile of cable."
As of 2009, Clarke has installed his analogue synthesisers alongside his Logic Pro-based workstation in a custom-built commercial studio called "The Cabin" in Maine.
Current/recent studio equipment: Dave Smith Instruments Mopho, Roland System 700, Roland System-100M, Roland Jupiter-8, Roland Jupiter-4, Roland MKS-80, Roland SH-1, Roland VP-330, Roland JP-8000, Roland Juno-60, Roland Juno-106, Roland Super JX, Roland D-550, ARP 2500 Modular, ARP 2600, PPG Wave 2.2, Waldorf Microwave, Waldorf Pulse, Moog Modular, Minimoog, Moog Source, E-Mu Modular System, Buchla 100 series Modular, Sequential Circuits Prophet-5, Sequential Circuits Pro-One, Oxford Synthesiser Company OSCar, Synton Syrinx, Korg MS-20, Korg MS-10, Korg 700, Korg M1, Korg DVP, Serge Modular, Polyfusion Modular, Oberheim Xpander, Oberheim SEM System, RSF Kobol, Electronic Music Studios VCS 3, Matten and Wiechers x2 48 track sequencers total 96 track., Sennheiser Vocoder VSM201, Apple iPad 2, Apple Power Mac G5, Apple MacBook Pro.
Clarke has been married to Tracy Hurley since 2004. They have a son named Oscar and live together in the United States, in Brooklyn, New York, and have another home in Maine. Tracy Hurley is co-founder of the Morbid Anatomy Museum (now closed) in Brooklyn. Her twin sister, the American author Tonya Hurley is married to Michael Pagnotta, the manager of Erasure. In 2012, Clarke and his family moved into a new house in Brooklyn, where he also relocated his Cabin studio and synthesizer collection.
with Depeche Mode
Speak and Spell (1981, album)
"Dreaming of Me" (1981, single)
"New Life" (1981, single)
"Just Can't Get Enough" (1981, single)
The Singles 81>85 (1985, compilation)
Upstairs at Eric's (1982, album)
"Only You" (1982, single)
"Don't Go" (1982, single)
"The Other Side of Love" (1982, single)
"Situation" (1982, single)
You and Me Both (1983, album)
"Nobody's Diary" (1983, single)
with The Assembly
"Never Never" (1983, single)
In duet with Paul Quinn
"One Day" (1985, single)
See Erasure discography
Lucky Bastard (1993, Sample CD)
In duet with Martyn Ware
Pretentious (1999, as The Clarke and Ware Experiment)
Spectrum Pursuit Vehicle (2001, simply as Vincent Clarke and Martyn Ware)
The House of Illustrious (2012, as The Clarke and Ware Experiment)
with Family Fantastic
"Knock on Your Door" (2001, single)
Ssss (2012, album)
"Spock" (2011, EP)
"Single Blip" (2012, EP)
"Aftermaths" (2012, EP)
In Clarke Hartnoll
2Square (2016, album)
"Better Have a Drink to Think" (2016, single)
He has remixed the following songs for artists other than Erasure:
1988 Happy Mondays – "WFL (Wrote For Luck)"
1990 Betty Boo – "24 Hours" (Oratronic Mix)
1991 Fortran 5 – "Heart On the Line" (V.C. Mix)
1991 Habit – "Power"
1992 Nitzer Ebb – "Ascend" (Anonymous Mix)
1992 The Wolfgang Press – "Angel"
1992 Betty Boo – "I'm On My Way" (The Batman And Robin Mix)
1993 The Time Frequency – "Real Love '93" (Vince Clarke Remix)
1994 Sparks – "When Do I Get to Sing "My Way"" (Vince Clarke Remix and Vince Clarke Extended Remix)
1994 Alison Moyet – "Whispering Your Name" (A Remix)
SPIRITS IN THE FOREST • a DEPECHE MODE film DIRECTED BY ANTON CORBIJN • (21 November 2019) (95 min (1 hour 35 minutes), 2D, Documentary, musical, Original language-English (translated into other languages-subtitles)
DEPECHE MODE | ALBUMS
MUTE (UK | EU)
STUMM 5 • Speak & Spell(05 October 1981) (12", MC, CD release April 1988)
STUMM 9 • A Broken Frame(27 September 1982) (12", MC, CD release July 1988)
STUMM 13 • Construction Time Again(22 August 1983) (12", MC, CD release March 1989)
STUMM 19 • Some Great Reward(24 September 1984) (12", MC, CD)
STUMM 26 • Black Celebration(17 March 1986) (12", MC, CD)
STUMM 47 • Music For The Masses(28 September 1987) (12", MC, CD)
STUMM 64 • Violator(19 March 1990) (12", MC, CD, DCC release 1992, MD release 05 February 2001)
STUMM 101 • 101(13 March 1989) (12", MC, CD, LCD release 04 February 2004)
STUMM 106 • Songs Of Faith And Devotion(22 March 1993) (12", MC, CD, MD release 05 February 2001, DCC)
LSTUMM 106 • Songs Of Faith And Devotion Live(06 December 1993) (12", MC, CD, MD, DCC)
Memento Mori • (24 March 2023)2xLP (BLACK 19658784211 | RED Opaque 19658792641 | RED Translucent 19658789791 | CRYSTAL CLEAR 19658789801) | CD 19658784202 | CD Deluxe 19658789812 | Cassette 19658792664 | DIGITAL G010004948630J (Columbia UK/US)
DEPECHE MODE | COMPILATIONS
Mutel 1 • The Singles 81→85(14 October 1985) (12", MC, CD, MD)(MUTE, UK)
Mutel 5 • The Singles 86>98(28 September 1998) (CD, MC, 12", MD release 05 February 2001, DVD release 20 March 2000)(MUTE, UK)
LMutel 1 • The Singles 81>85(26 October 1998) (12", MC, CD, MD release 05 February 2001)(MUTE, UK)
Mutel 8 • Remixes 81··04(25 October 2004) (CD, LCD, XLCD, 12", Digital Download)(MUTE, UK)
Mutel 15 • The Best Of Volume 1(13 November 2006) (CD, LCD, 12", Digital Download)(MUTE, EU)
Mutel 18 • Remixes 2: 81-11(06 June 2011) (12", CD, Digital Download)(MUTE, EU)
Speak and Spell | The 12" Singles • Mute / Columbia / Sony Music (BOX - 12DMBOX01, 88985482001 / Digital - 88985482001|1)(12" + Digital Download (WAV (PCM), 44100 Hz, 1411 kbps, 16 bit, Stereo))(31 August 2018)(EU/US)
A Broken Frame | The 12" Singles • Mute / Columbia / Sony Music (BOX - 12DMBOX02, 88985482011 / Digital - 88985482011|1)(12" + Digital Download (WAV (PCM), 44100 Hz, 1411 kbps, 16 bit, Stereo))(31 August 2018)(EU/US)
Construction Time Again | The 12" Singles • Mute / Columbia / Sony Music (BOX - 12DMBOX03, 19075822971 / Digital - 19075822971|1)(12" + Digital Download (WAV (PCM), 44100 Hz, 1411 kbps, 16 bit, Stereo))(14 December 2018)(EU/US)
Some Great Reward | The 12" Singles • Mute / Columbia / Sony Music (BOX - 12DMBOX04, 19075822981 / Digital - 19075822981|1)(12" + Digital Download (WAV (PCM), 44100 Hz, 1411 kbps, 16 bit, Stereo))(14 December 2018)(EU/US)
Black Celebration | The 12" Singles • Mute / Columbia / Sony Music (BOX - 12DMBOX05, 19075890241 / Digital - 19075890241|1)(12" + Digital Download (WAV (PCM), 44100 Hz, 1411 kbps, 16 bit, Stereo))(31 May 2019)(EU/US)
Music For The Masses | The 12" Singles • Mute / Columbia / Sony Music (BOX - 12DMBOX06, 19075890251 / Digital - 19075890251|1)(12" + Digital Download (WAV (PCM), 44100 Hz, 1411 kbps, 16 bit, Stereo))(31 May 2019)(EU/US)
Violator | The 12" Singles • Mute / Columbia / Sony Music (BOX - 12DMBOX07, 19075941621 / Digital - 19075941621)(12" + Digital Download (WAV (PCM), 44100 Hz, 1411 kbps, 16 bit, Stereo))(17 Jule 2020)(EU/US)
Songs Of Faith And Devotion | The 12" Singles • Mute / Columbia / Sony Music (BOX - 12DMBOX08, 19075992571 / Digital - 19075992571)(12" + Digital Download (WAV (PCM), 44100 Hz, 1411 kbps, 16 bit, Stereo))(30 October 2020)(EU/US)
Ultra | The 12" Singles • Mute / Columbia / Sony Music (BOX - 12DMBOX09, 19439759431 / Digital - 19439759431)(12" + Digital Download (WAV (PCM), 44100 Hz, 1411 kbps, 16 bit, Stereo))(10 September 2021)(EU/US)
Exciter | The 12" Singles • Mute / Columbia / Sony Music (BOX - 12DMBOX10, 19439759451 / Digital - 19439759451)(12" + Digital Download (WAV (PCM), 44100 Hz, 1411 kbps, 16 bit, Stereo))(10 June 2022)(EU/US)
Playing The Angel | The 12" Singles • Mute / Columbia / Sony Music (BOX - 12DMBOX11, 19439989931 / Digital - 19439989931)(12" + Digital Download (WAV (PCM), 44100 Hz, 1411 kbps, 16 bit, Stereo))(11 November 2022)(EU/US)
Sounds Of The Universe | The 12" Singles • Mute / Columbia / Sony Music (BOX - 12DMBOX12 / Digital - 19658765351 )(12" + Digital Download (WAV (PCM), 44100 Hz, 1411 kbps, 16 bit, Stereo))(4 August 2023)(EU/US)
Delta Machine | The 12" Singles • Mute / Columbia / Sony Music (BOX - 12DMBOX13 / Digital - 19658765361)(12" + Digital Download (WAV (PCM), 44100 Hz, 1411 kbps, 16 bit, Stereo))(6 October 2023)(EU/US)
We are extremely proud to announce an exciting new collaboration with Depeche Mode to record and release limited edition CD's and digital downloads of 50 dates on their current world tour.
Recording will begin at the Shoreline Amphitheater in California, where the band headline on Thursday 27th April. After numerous dates across the United States, Depeche Mode return to Europe for a series of stadium shows and festival appearances throughout the summer.
Each concert will be recorded and mixed, to create a unique high-quality souvenir that truly captures the energy and atmosphere of the legendary Depeche Mode live experience. The two-disc set is available for a limited time and is packaged with deluxe artwork featuring new and exclusive photographs by Anton Corbijn.
Depeche Mode are one of the most influential and ground breaking bands of the last 25 years. During the “Touring The Angel” 2005/6 World Tour they will play to more than two and a half million people across 31 countries. Their new album ‘Playing the Angel’, released in October last year, reached Number 1 in 16 countries and has sold two million copies worldwide.
Live Here Now – 270406 DMLHNCD01 • Shoreline Amphitheatre, Mountain View CA, USA (27 April 2006)release : 23 May 2006 (UK)
Live Here Now – 290406 DMLHNCD02 • Coachella, Indio CA, USA (29 April 2006)release : 31 May 2006 (UK)
Live Here Now – 300406 DMLHNCD03 • Las Vegas, USA (30 April 2006)release : 31 May 2006 (UK)
Live Here Now – 040506 DMLHNCD04 • Foro So Stadium, Mexico City, Mexico (04 May 2006)release : 01 June 2006 (UK)
Live Here Now – 050506 DMLHNCD05 • Foro So Stadium, Mexico City, Mexico (05 May 2006)release : 06 June 2006 (UK)
Live Here Now – 070506 DMLHNCD06 • Arena, Monterrey, Mexico (07 May 2006)release : 06 June 2006 (UK)
Live Here Now – 130506 DMLHNCD09 • Jones Beach Amphitheater, Wantaugh, USA (13 May 2006)release : 06 June 2006 (UK)
Live Here Now – 140506 DMLHNCD10 • PNC BankArts Center, Holmdel, USA (14 May 2006)release : 06 June 2006 (UK)
Live Here Now – 170506 DMLHNCD11 • Bell Centre, Montreal, Canada (17 May 2006)release : 09 June 2006 (UK)
Live Here Now – 180506 DMLHNCD12 • Air Canada Centre, Toronto, Canada (18 May 2006)release : 09 June 2006 (UK)
Live Here Now – 200506 DMLHNCD13 • Borgata, Atlantic City, USA (20 May 2006)release : 09 June 2006 (UK)
Live Here Now – 210506 DMLHNCD14 • Nissan Pavillion, Washington, USA (21 May 2006)release : 09 June 2006 (UK)
Live Here Now – 020606 DMLHNCD15 • Rock Im Park, Nuremburg, Germany (02 June 2006)release : 01 July 2006 (UK)
Live Here Now – 040506 DMLHNCD16 • Rock Am Ring, Nurburgring, Germany (04 June 2006)release : 01 July 2006 (UK)
Live Here Now – 050606 DMLHNCD17 • Bremen Weser-Stadion, Germany (05 June 2006)release : 01 July 2006 (UK)
Live Here Now – 070606 DMLHNCD18 • Aarhus Stadium, Denmark (07 June 2006)release : 01 July 2006 (UK)
Live Here Now – 090606 DMLHNCD19 • Warsaw Legia Stadium, Poland (09 June 2006)release : 01 July 2006 (UK)
Live Here Now – 110606 DMLHNCD20 • Stadion Inter Bratislava, Slovak (11 June 2006)release : 01 July 2006 (UK)
Live Here Now – 120606 DMLHNCD21 • Puskas Ferenc Stadion, Budapest, Hungary (12 June 2006)release : 01 July 2006 (UK)
Live Here Now – 140606 DMLHNCD22 • Stadion Bezigrad, Ljubljana, Slovenija (14 June 2006)release : 01 July 2006 (UK)
Live Here Now – 160606 DMLHNCD23 • Heineken Jammin' Festival, Imola, Italy (16 June 2006)release : 01 July 2006 (UK)
Live Here Now – 170606 DMLHNCD24 • Greenfield Festival, Interlaken, Switzerland (17 June 2006)release : 01 July 2006 (UK)
Live Here Now – 210606 DMLHNCD25 • Lokomotiv Stadium, Sofia, Bulgaria (21 June 2006)release : 01 July 2006 (UK)
Live Here Now – 230606 DMLHNCD26 • Stadionul National, Bucuresti, Romania (23 June 2006)release : 01 July 2006 (UK)
Live Here Now – 250606 DMLHNCD27 • Wireless Festival, London, UK (25 June 2006)release : 01 July 2006 (UK)
Live Here Now – 260606 DMLHNCD28 • The Point, Dublin, Ireland (26 June 2006)release : 01 July 2006 (UK)
Live Here Now – 280606 DMLHNCD29 • Waldbuhne, Berlin, Germany (28 June 2006)release : 01 July 2006 (UK)
Live Here Now – 290606 DMLHNCD30 • City Square, Arras, France (29 June 2006)release : 01 July 2006 (UK)
Live Here Now – 010706 DMLHNCD31 • Eurockeennes, Belfort, France (01 July 2006)release : 01 August 2006 (UK)
Live Here Now – 020706 DMLHNCD32 • Werchter Festival, Belgium (02 July 2006)release : 02 August 2006 (UK)
Live Here Now – 070706 DMLHNCD33 • Stockholm Stadium, Sweden (07 July 2006)release : 07 August 2006 (UK)
Live Here Now – 100706 DMLHNCD34 • Moon & Stars, Locarno, Switzerland (10 July 2006)release : 10 August 2006 (UK)
Live Here Now – 120706 DMLHNCD35 • Waldbuhne, Berlin, Germany (12 July 2006)release : 12 August 2006 (UK)
Live Here Now – 130706 DMLHNCD36 • Waldbuhne, Berlin, Germany (13 July 2006)release : 13 August 2006 (UK)
Live Here Now – 150706 DMLHNCD37 • Festwiese Liepzig, Germany (15 July 2006)release : 15 August 2006 (UK)
Live Here Now – 170706 DMLHNCD38 • Curva Olympico, Rome, Italy (17 July 2006)release : 17 August 2006 (UK)
Live Here Now – 190706 DMLHNCD39 • Nyon Paleo Festival Nyon, Switzerland (19 July 2006)release : 19 August 2006 (UK)
Live Here Now – 200706 DMLHNCD40 • Nimes Antic Arena, France (20 July 2006)release : 20 August 2006 (UK)
Live Here Now – 220706 DMLHNCD41 • San Sebastian Stadio Anoeta, Spain (22 July 2006)release : 22 August 2006 (UK)
Live Here Now – 250706 DMLHNCD43 • Torrevieja Parque Antonio Soria, Alicante, Spain (25 July 2006)release : 25 August 2006 (UK)
Live Here Now – 260706 DMLHNCD44 • Granada Plaza de Toros, Spain (26 July 2006)release : 26 August 2006 (UK)
Live Here Now – 300706 DMLHNCD46 • Kurucesme Arena, Bosphorous Park, Istanbul, Turkey (30 July 2006)release : 30 August 2006 (UK)
Live Here Now – 010806 DMLHNCD47 • Terra Vibe, Athens, Greece (01 August 2006)release : 01 August 2006 (UK)